Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.
Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?
nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.
Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.
Ononehanditisaslightly80'sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.
Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.
ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou'regettingthere.Seeitifyoucanfindit.
科幻/奇幻">
汤姆·哈迪 米歇尔·威廉姆斯 里兹·阿迈德 斯科特·黑兹 瑞德·斯科特 珍妮·斯蕾特 梅洛拉·沃尔特斯 伍迪·哈里森 佩吉·陆 马尔科姆·C·默里 索佩·阿卢科 韦恩·佩雷 米歇尔·李 库尔特·岳 克里斯·奥哈拉 埃米里奥·瑞弗拉 阿里亚当娜·约瑟夫 袁之正 朴云龙 麦克·勃兰特 尼克·图恩 山姆麦地那 迪塞尔·马德金斯 简·麦克尼尔 维克托·麦凯 马丁·巴特斯·布拉德福德 布兰顿·莫拉莱斯 马修·康威尔 斯坦·李 韦德·威廉姆斯 约瑟夫·阿梅 威廉·W·巴伯 玛塞拉·布拉吉奥 卡特·伯奇 克里斯蒂安·康
咔法
我也想有一个那么疯的好哥们。可溶化的鱼
皮奥特尔舒尔金电影三要素:作为局外人/先行者的主角、霓虹/废墟美学、官僚政治的隐喻。karate hippo
这东西,氛围营造的好,剧本上还是单薄了点Dracarys
Cineville 039 3.5,末世众生相,对官僚主义和人性的讽刺,刚开始有些无聊。 比Golem的表达更容易理解。豆友MoUwZ1KZas
不错的末世录