FernandoDiLeo's"MilanoCalibro9"isanout-and-outmasterpieceofItalianCrimecinemaand,inmyopinion,oneofthemostastonishingcrimestoriesevertold.ThefirstfilminDiLeo'sexcellent'Milieu'trilogy,"MilanoCalibro9"wasfollowedby"LaMalaOrdina"(aka."Manhunt",also1972)andthebrilliant"IlBoss"(1973).Thethreefilmsarenotconnectedstory-wise,butallthreeareexcellent,andhighlyrealisticportrayalsoforganizedcrime.AsfarasIamconcerned"Manhunt"is(allthoughexcellent)slightlyinferiortothisoneand"IlBoss"whichbothstandoutasabsoluteall-timehighlightsofcrimecinema."MilanoCalibro9"isthebestofthemall,afilmthatisastonishinginallaspects,beittheingeniousplotthat,apartfromacompellingstoryandclevertwists,includessocialcriticism,theperformances,thegrittyatmosphereandsuspenseorthebrilliantscore.IcanhardlyfindtherightwordstoexpressmyadmirationforthismasterpiecewhicheasilyranksamongthegreatestGangsterflickseverbroughttoscreen.GastoneMoschinstarsasUgoPiazza,atoughandellipticalex-convictwhohasjustbeenreleasedfromprison.Immediatelyafterhisrelease,UgoisapproachedbymembersoftheMilanmobleadbytheirasciblegangsterRocco(MarioAdorf),astheysuspecthimtoberesponsibleforthedisappearanceofalargesumofmoneybelongingtotheirboss,anAmerican(LionelStander)whocontrolstheorganizedcrimeinMilan..."MilanoCalibro9"isafilmthatdeliversanastonishinglyrealisticmoodoftheunderworldlikehardlyanother.Theintriguingstorylinegoesinhandwithinterestingcharacters,rawatmosphere,suspenseandbreathtakingaction,socialcriticismandbrutalviolence.Thefilmissimplystunningfromthebeginningtotheend,whichisevenintensifiedbythebrilliantscore,acollaborationofthefamouscomposerLuisEnríquezBacalovandtheItalianProgressiveRockbandOsanna.UgoPiazzamustbeoneofthemostcharismaticgangstercharacterseverincinema,andGastoneMoschinwastheprefectchoicefortherole.Moschindeliversabrilliantperformance,andtherestofthecastisalsogreat.MarioAdorfisirasciblelikearabiddogastheferociousgangsterRocco,arolethatfitshimlikeaglove.ThegreatLionelStanderfitsperfectlyinhisroleoftheAmericanMafiaDon.ThetwocopcharactersinthefilmareplayedbytwoofthegreatestregularsofItaliangenre-cinema,LuigiPistilliandFrankWolff(whocommittedsuicidebeforethefilmwasreleased).TheravishingBarbaraBouchetisastonishingandincrediblysexyintheroleofUgoPiazza'sstrippergirlfriend.Bouchetisbothastunningbeautyandanexcellentactressandthisisdoubtlesslyoneofhermostmemorableroles.ThisisalsoapoliticalfilmanddirectorDiLeoembeddedalotofsocialcriticismabouttopicslikecorruption.Thisfilmsimplyhaseverythingonecanpossiblydesireincinema.Filmslike"MilanoCalibro9"arethereasonwhyIlovecinema.Thisisanabsolutemasterpieceinallregardsand,withoutexaggeration,oneofthegreatestCrimeflicksevermade!Theingeniousopeningscenealoneismorememorablethanmostfilmsgetintwohours.
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伯特·兰卡斯特 保罗·斯科菲尔德 让娜·莫罗 苏珊娜·弗罗恩 米歇尔·西蒙 沃尔夫冈·普莱斯 阿尔贝·雷米 Charles Millot Richard Münch 雅克·马兰 保罗·博尼法 Donald O'Brien 让·皮埃尔·佐拉 亚瑟·布豪斯 让-克劳德·伯克 霍华德·沃侬 海尔莫·金德曼 Roger Lumont 格雷德·布尔 Victor Beaumont 米歇尔·查瑞尔 贝尔纳·弗雷松 贝尔纳·拉雅里热 丹尼尔·勒库图瓦 Wolfgang Sauer
面壁者
没有字幕,没看懂剧情,芭芭拉没有全裸镜头,只有一段艳舞,差强人意。小麦
这部的配乐真不错胡纾
还可以20231019电子眼泪
传统黑帮题材 江湖人是过河卒 江湖路是不归路 顺便剖析了一下犯罪背后深层次的社会问题和郑智问题