剧情/纪实
JulienDuvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。 Summary Bulliedbyhismatriarchalmother,abusedbyhissiblings,ignoredbyhisfather,PoildeCarotte'schildhoodisasmiserableasitcouldbe. Anillegitimatechild,heisthemainreasonfortheenmitywhichexistsbetweenhisparents,whocontinuetolivetogetherjusttokeepupappearances.Intheend,PoildeCarotte'ssufferingbecomesmorethanhecanbear... Review DrawingheavilyonthepoignantnovelbyJulesRenardonwhichitisbased,Poildecarotteisamodestyetappealingfilmwhichhasstoodthetestoftimemainlybecauseofthequalityofitsactingperformancesanditsinherenthumanity.ItismorememorablethanJulienDuvivier'searliersilentversionof1925,alsonamedPoildeCarotte. ThepartofPoildeCarottewasplayedby11yearoldRobertLynen,whowasallegedtohavebeendiscoveredwhilstwalkingdowntheChamps-ElyséesinParis.Lynenistotallycaptivatingandthefilmmadehimaninstantstar,launchingwhatlookedlikebecomingaverypromisingfilmcareer–untilhewasshotdeadwhilstfightingagainsttheGermansin1944. HarryBaur,alegendarystageandfilmactor(whoalsodiedduringWorldWarII,allegedlyatthehandsoftheGestapo),alsoturnsinatypicallyfineperformance. Thereconciliationbetweenfatherandsonattheendofthefilmprovidesitsmostenduringimage,enoughtomelttheheartofallbutthemoststoicalofspectators.
疏雨孟尝
[分屏 叠印]冗长、铺张；奇妙的是，Duvivier设定的家庭危机并非由于孩子显在的差异，而是因为性别的紧张的一致。双亲没分别，只不过“女”方男性得不够。Carotte失了本应“抛而复有”的识别，终至被全整的父再认领...这可是50s末的四百击都没触及的思虑啊。无我之间
20-59 （本应看32年版却看错了版本） 最典型化角色的范例，除了怪异喜剧创造的叼烟斗大胡子老人、男扮女装的恶妇外，还别开生面地创造了红发雀斑女装的男孩，并在此后的银幕中化变为更多人物。故事老套，泾渭分明的善恶，最吊人胃口的叙事框架，一部合格的教育性大众喜剧。Aislinn
7.5小麦
happy ending