剧情/纪实
AlovingfilmtributetoRussianfilmmakerLarisaShepitko,whodiedtragicallyinacaraccidentin1979attheageof40.Thisdocumentarybyherhusband,ElemKlimov,includesexcerptsfromallofShepitko'sfilms,andherownvoiceisheardtalkingaboutherlifeandart. ElemKlimov'sgrief-strickenelegyLarisaexaminesthelifeofhislatewife—thefilmdirectorLarisaShepitko—throughaseriesofdirect-addressinterviewsandphotomontages,setagainstamournfulvisual-musicalbackdrop.Typically,Klimovfilmshissubjects(whichincludehimselfandseveralofShepitko'scollaborators)withinastark,snow-coveredforest,itstangledweboftreesstandinginasmetaphoricalrepresentationofaperhapsinexpressiblesuffering,theresultofShepitko'sprematuredeathwhilefilmingheradaptationofValentinRasputin'snovellaFarewelltoMatyora.InterweavinghomemoviefootagewithsequencesfromShepitko'swork(MayaBulgakova'spensiveplanecrashreminiscencefromWingstakesonseveralnewlayersofresonanceinthiscontext),Larisa'smostpowerfulpassageisitsfirstaccompaniedbythegrandiosefinalmusiccuefromShepitko'sYouandI,KlimovdissolvesbetweenaseriesofpersonalphotographsthatencompassLarisa'sentirelife,frombirthtodeath.Thisbriefsymphonyofsorrowanticipatesthecatharticreverse-motionclimaxofKlimov'sComeandSee,thoughbyplacingthescenefirstwithinLarisa'schronology,Klimovseemstobeworkingagainstcatharsis.Thepainisclearlyfresh,thewoundstillfestering,andKlimovwants—aboveall—tocapturehowdeepmisery'sknifehascut.
mecca
悼亡妻。克制而浓烈的情绪在《上升》的死亡凝视中造极，永生树下白雾茫茫。p.s. 计划认真补完舍皮琴科及克里莫夫。胡纾
20230810Meraki
浓缩成精华的传记短片，自然是有私人的爱的，但呈现出的是对一位出色导演的欣赏与钦佩。她的作品、想法，什么都好，偏偏离开得太早了。3122
对电影艺术的爱，对妻子的爱。枪杀杰西詹姆斯
算是克里莫夫用影像为亡妻写的讣告。拉莉萨·舍皮琴科应该是琪拉·穆拉托娃外，苏俄最伟大的女性导演了。