Katoisanaspiringscreenwritertreadingwater.Hespendshisdayspitchingstoriestooffbeatagentsandexecutiveswhoareanythingbutimpressed.Notthathehasrunoutofideas,theyjustdon’tseemtogoanywhere.UnlikehisrelationshipwithhisgirlfriendZigzag–thatoneisgoingdownthedrain.LittledoesKato–oranyone–knowthatlifeisabouttotakesomeseriouslyweirdturns.
Whileouttobuythespecialbrandoffoodforhisgirlfriend’sdogCerberus,Katodiscoversanabandonedconveniencestorethattransformshistrajectory.Astumbleintoarefrigeratorcatapultshimintoarealmoffantasticalinspirationboostedbyaneccentriccouplehemeetsalongtheway.Mightthisbethekeytogettinghismojoback?
MikiSatoshi(AdriftinTokyo,WhattoDowiththeDeadKaiju?)returnswithasurrealandquirkyindiefilmthatmanagestobebothcharminganddeeplyphilosophical.TeamingupwithJapanesecinemaexpertandnotablecriticforTheJapanTimesMarkSchilling(Art,CultandCommerce:JapaneseCinemaSince2000),ConvenienceStorytakesyouonaneccentricDanteanridebrimmingwithpsychologicaltensionandthezestofkarma.Fromthepurgatoryofwriter’sblock,toahellofanadventure,Kato’sjourneyisasatisfyingandthoughtfultale.
源自:
剧情/纪实
fingfing吓
过往三木聪的作品虽然也会有些悬疑成分,但整体是轻松幽默的,这次因为有死亡主题,再按他那套不按常理的剧情发展,就会又混乱又沉重,完全不是脱力系而是乏力系。成田凌饰演的编剧写不出来剧本估计是三木聪的真实写照吧,写不出来还是不要硬写为妙。超cute侠
剧本家的生死停留。有心打扰
便利店不需要这样的故事德布劳外等17人
虽然但是,哪怕是三木聪死忠粉,但这次好像也很难给三星了。反倒是觉得这个故事讲得太实了,反而不有趣了,而且那些天马行空的鬼点子也没了,严肃的议题既不深沉又不戏谑,两头不靠是最无奈了。一个(瞎说的)评价标准是:如果连布施绘理在片中都没什么发挥的话,那么这部三木聪一定是没意思的。枯藤和老虎
「便利店杀人事件」。脚本家创作的是妄想还是现实?观众看到的是幻想还是现实?不幸的444、幸运的333、荒野里的便利店、森林里的指挥家、八分钟前的太阳、死者经过的“永远祭”。anyway,男主会遭遇这些有的没的,一定是他随地丢弃修勾的错……片山友希很好,很适合三木聪神叨叨的风格。