OnahotsummerafternooninNewYork,EmmaJonesgossipswithotherneighborsinherresidentialbuildingabouttheaffairthatMrs.AnnaMaurrantandthemilkmanSteveSankeyarehaving.WhentherudeandunfriendlyMr.FrankMaurrantarrives,theychangethesubject.Meanwhile,theirteenagedaughterRoseMaurrantisbeingsexuallypressuredbyhermarriedbossMr.BertEaster.ShedoeshoweververymuchlikeherkindyoungJewishneighborSam,whohasaseriouscrushonher. Thenextmorning,FrankMaurranttellshiswifethatheistravelingtoStamfordonbusiness.Mrs.MaurrantmeetsthegentleSankeyinherapartment,butoutoftheblueFrankcomesbackhome.HerealizeshiswifeisupstairswithSankey,andrunsupstairs.WehearshotsandseethetwomenstrugglingasSankeytriestoescapethroughthewindow.Maurrantrunsoutwithagun.HehaskilledSankeyandfatallywoundedhiswife. Maurrantisapprehendedandisledawaybypolice.HeapologizestohisdaughterRose,whowillnowhavetotakecareofherselfandheryoungbrotherwithouteitherparent.Rose'sbossoffersonceagaintosetherupinherownapartment,butsherefuses.ThensheseesSam,andtellshimshewantstoleavethecity.Sampleadswithhertolethimgowithher,butshetellshimitwillbebetterforthetwoofthemtohaveacoupleofyearsapartbeforetheyconsiderbecomingacouple.Rosewalksoffdownthestreetbyherself.
胡桃树
80min由语言架构起来的剧情实在是紧凑，以至于结束的时候都没反应过来哈哈玄〔已注销〕
就是公寓邻居间的故事，最后因为出轨事件，引发大轰动，受害者不得不离开这座公寓。潇弭
＃1931电影十佳备选＃【B-】7.2/101.金·维多在《群众》基础上的自我超越与反写。更精湛的群像调度（街景生态的布置与特写堆积）与台词写作（浅显的议题糅合），在稍显廉价的舞台剧质感中仍能焕发出当时领先的文本魅力。2.《群众》是大对小的吞噬，《公寓街景》是个体逐渐暴露无遗的过程。但导演在二者结尾都使用了相似的长镜头，冷漠的来自楼宇间的注视下人物变得愈发渺小。1931,3Sabrina
舞台劇的感覺，短小精悍，人物定位又恰如其分。我很喜歡這種眾生態的群戲。