Vienna,1920.TheAustro-HungarianEmpirehascollapsed.PeterPergreturnshomefromtheGreatWar,aftersevenyearsasaRussianPOW.Viennaisexperiencingthemultiplicityofpolitical,socialandartisticfreedom,butalsotheriseofanti-democraticmovements,insecurityandunemployment.Peter,aformerpoliceinspector,feelslikeastrangerinthenewAustrianRepublic.Whilewantingtoleavetown,Peterisconfrontedwiththemurderofoneofhisformercomrades.Hedecidestostayandinsteadbringthekillertojustice.HisallyisDr.TheresaKörner,adeterminedandcool-headedforensicdoctor.Thetwoarelinkednotonlybythiscase,butalsobyadeeper,sharedhistory.Astheirinvestigationprogresses,theyrealisethattheyarenotjustupagainstasystematickiller,whotortureshisvictims,butalsofacedisapprovalandintriguefromwithinthepoliceforce.Thoughdeterminedtosolvethecrime,Peter,harbouringhisownsecrets,increasinglybecomestormentedbyexistentialquestions:Whatistruth?Whatisheroisminthetimeofwar?Andallthewhilehefailstoseethemountingdangerbeforehim.
stjäla hund
破案只是线索。带出来的是背后一连串严重而现实的问题。虽然抓马集中了一些，但这个歪斜世界的镜头和场景真带感。钢铁儿童
虚实结合的画面有点意思瑾羲Qing
风格十分独特的一部电影。歪斜的画面，强烈的对比度，从视觉上营造出那种一战后奥匈帝国巨变之时的不安。“列车困境”中没有“正确”的选择。熊猫眼看电影
故事核心一般般，但是场景做的相当惊艳，可以说是环境照进心理现实，感觉这种世界观的寓意其实可以拍出更好更多的作品，很可惜，希望导演能有更好的表现Aura
意外惊喜，画面所营造的那种末世感太重了，好喜欢！